Lost for almost forty years, Style has acquired the status of a legend. Loved by some of the greatest modern authors and acclaimed by critics, this guide to recognising and writing stylish prose was written by a Cambridge don and veteran of Bletchley Park. Imbued with a lifetime of wit and wisdom, it retains its power today. Writing forcefully and persuasively has never mattere...(展开全部)

A few lucky women have been born with style -- think Diana Vreeland and Jacqueline Onassis -- but for most of us, style is something that comes with time and experience. Above all, style begins with a sense of who you are and your self-confidence. Style comes from opening yourself to the world around you -- to books and movies, art, music, travel, and especially to other people...(展开全部)

Joseph M. Williams is a leading scholar in the discipline of composition.

This fourth volume of Professor Meyer Schapiro's Selected Papers contains his most important writings - some well-known and others previously unpublished - on the theory and philosophy of art. Schapiro's highly lucid arguments, graceful prose, and extraordinary erudition guide readers through a rich variety of fields and issues: the roles in society of the artist and art, of th...(展开全部)

Seminal modern study explains ideas beyond superficial changes. Analyzes over 150 works by masters. 121 illus.

This text demonstrates how matters of style - diction, manners, sensibility, decor and charisma - influence politics. In critical studies of classic texts, the author identifies four dominant political styles. The realist style, as found in Machiavelli's "The Prince", creates a world of sheer power, constant calculation and emotional control; this style is the common sense of m...(展开全部)

Bruce Mau describes his studio as a "multi-disciplinary think tank where designers, artists and architects, curators, filmmakers and writers collaborate ..." In interviews and in his own writings, Mau rarely alludes overtly to nuts-and-bolts design issues such as typography, page design, color, and proportion. Instead, his work critically engages what he calls the "global image...(展开全部)